Abstract

Since 2004, the sixty-two-foot statue of Jesus erected by the Solid Rock Church has stood as one of the most conspicuous landmarks in southern Ohio, located at the midpoint of the fifty-mile corridor of suburban sprawl along I75 between Cincinnati and Dayton. The evangelical megachurch built the "King of Kings" statue, featuring a fiberglass and styrofoam Messiah rising with uplifted arms from a large reflecting pool, to proclaim the gospel to the surrounding community and especially to motorists passing by on the highway.

This year, the icon, tagged with such nicknames as "Touchdown Jesus" and "Drowning Jesus," provided an even greater spectacle when a lightning strike burned it down late in the evening of June 14. The complex's large neon billboard, which flashes messages such as "No God, No Peace," emerged unscathed. Solid Rock Church immediately promised to rebuild what it had claimed as the largest sculpture of Jesus Christ in the United States, while secular critics across America had a field day mocking the tacky tastes and in-your-face religious values of this Middle American exurb. A columnist for the San Francisco Chronicle sarcastically wondered if gay rights activists had torched the giant Jesus as payback for heartland homophobia and imagined "fundamentalists scurry[ing] about in a baffled frenzy, unsure what it all might mean." Others observed that God had spared the thriving Hustler Hollywood megastore, located at the same interstate exit, which Larry Flynt opened in his home state over the resistance of public officials and a religious right group called Citizens for Community Values.

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