Authors of Articles in this Issue
- Authors of Articles in this Issue
Byron Adams is Professor of Musicology in the Music Department of the University of California, Riverside. He has published widely on twentieth-century English music, and is a Senior Editor for the Musical Quarterly. In 2000, the American Musicological Society accorded him the Philip Brett Award for his work on the intersections of homoeroticism and nationalism in British music.
Ellen T. Harris is Class of 1949 Professor of Music at the Massachusetts Institute of Technology. Author of Handel as Orpheus: Voice and Desire in the Chamber Cantatas (2001), she continues to research Handel's cantatas and to consult with musical groups about these works. Another area of active engagement concerns Handel's London friends and legatees.
Rutger Helmers is a Ph.D. candidate at Utrecht University. His dissertation examines musical culture and nationalism in nineteenth-century Russia by focusing on several operas that are related to or claimed to be related to foreign operatic examples and genres.
Alon Schab is a graduate of the Jerusalem Academy of Music and Dance (recorder and composition). He is currently an Ussher Fellow at Trinity College Dublin, where he is studying for a Ph.D. (under the supervision of Martin Adams), focusing on Henry Purcell's compositional technique. He also sings and plays bass guitar with the folk-rock group Bentaim (Tel-Aviv).
Jason Stoessel lectures in Musicology at the University of New England, Armidale, NSW. His Ph.D. thesis, completed in 2003, examines the sources and notation of the ars subtilior. He is editor of Identity and Locality in Early European Music, 1028–1740 (Ashgate, 2009), and has recently published an account of unusual mensuration signs in ars subtilior sources in A Late Medieval Songbook and its Context: New Perspectives on the Chantilly Codex (Brepols, 2010). [End Page 477]
