Contents of Recent Volumes

CONTENTS OF RECENT VOLUMES Volume 16 Karin Yesilada, Encountering the Other—Beyond Political Correctness: Interview with Barbara Frischmuth; Jacqueline Vansant, Illuminating Intersections : Ten Years of Feminist Criticism on Contemporary Austrian Women Writers; Siobhan S. Craig, The Collapse of Language and the Trace of History in Ingeborg Bachmann's "Simultan"; Brenda L. Bethman, "My Characters Live Only Insofar as They Speak" : Interview with Elfriede Jelinek; Elfriede Jelinek, Malina: A Filmscript Based on the Novel by Ingeborg Bachmann, Scenes 116-12; Maria-Regina Kecht, Three Media—One Story? Marie-Thérèse Kerschbaumer's "Gypsy" Narrative in Hilde Maria Kraus's Nine Months; Elizabeth Kautz, Teacher and/or Mother: Personal and Political Transformations in Hilde Maria Kraus's Nine Months; Patricia M. Mazón, "Fräulein Doktor" : Literary Images of the First Female University Students in Fin-de-Siècle Germany; Angelika Führich, Woman and Typewriter : Gender, Technology, and Work in Late Weimar Film; Eva Ludwiga Szalay, "I, the seeress, was owned by the palace." The Dynamics of Feminine Collusion in Christa Wolf's Cassandra; Jean Wilson, Transgression and Identity in Kleist's Penthesilea and Wolf's Cassandra; Bettina T. Becker, Woman, Violence, Nation: Representations of Female Insurgency in Fiction and Public Discourse in the 1970s and 1980s; Ilse Nagelschmidt, Quo Vadis? Women at East Germany's Universities Ten Years After; Jeannine Blackwell, German Narratives of Women's Divine and Demonic Possession and Supernatural Vision 1555-1800: A Bibliography Volume 15 Jeannette Lander, One Summer in the Week of Itke K.; Marjanne Goozé and Martin Kagel, "I am not a part of this. I can laugh at it. But I know it." A Conversation with Jeannette Lander; Monika Shafi, Point of No Return: Conflicting Desires in Jeannette Lander's Novel Eine unterbrochene Reise; Sara S. Poor, Historicizing Canonicity: Tradition and the Invisible Talent of Mechthild von Magdeburg; Bettina Mathes, Doctor Faustus Impotent ? Fantasizing the Male Body in the Historia von D. Johann Fausten; Yuna Shin, "She Would Rather Depart the Earth in Fire": Reading Diotima 's Death in Friedrich Hölderlin's Hyperion Or the Hermit in Greece; Hedwig Fraunhofer, Fear ofthe Feminine: (Homo)Sexuality and Economics in Brecht's Jungle of Cities; Karen J. Kenkel, The Adult Children of Early Cinema; Nina Zimnik, No Man, No Cry? The Film Girls in Uniform and Its Discourses of Political Regime; Lynda J. King, Grand Hotel: The Sexual Politics of a Popular Culture Classic; Temby Caprio, Women's Film Culture in the Sixties: Stars and Anti-Stars from Papas Kino to the German New Wave; Julia F. Klimek, Elusive Images of Women, Home, and History : Deconstructing the Use of Film and Photography in Edgar Reitz's Heimat; Kirsten Harjes and Tanja Nusser, An Authentic Experience of History: Tourism in Ulrike Ottinger's Exil Shanghai Volume 14 John M. Jeep, Among Friends?: Early German Evidence of Friendship among Women; Albrecht Classen, Ottilia Fenchlerin's Songbook: A Contribution to the History of Sixteenth-Century German Women's Literature; Mara R. Wade, Invisible Bibliographies: Three Seventeenth-Century German Women Writers; Melanie Archangeli, Charlotte von Hezel and Das Wochenblatt firs schöne Geschlecht: An Eighteenth-Century Challenge to Gender and Genre; Gail K. Hart, Re-dressing History: Mother Nature, Mother Isabeau, the Virgin Mary, and Schiller's Jungfrau; Lisa C. Roetzel, Acting Out: Bettine as Performer of Feminine Genius; Muriel Cormican , Authority and Resistance: Women in Lou Andreas-Salomé's Das Haus; Inca Rumold, Der Malik: Else Lasker-Schüler's Anti-War Novel; Friederike Emonds, Contested Memories: Heimat and Vaterland in Use Langner's Frau Emma kämpft im Hinterland; Catherine C. Marshall, Use Langner's Klytämnestra: A Feminist Response to the Rhetoric of War; Dagmar CG. Lorenz, Man and Animal: The Discourse of Exclusion and Discrimination in a Literary Context; Hannelore Mundt, Katherine Mansfield Revisited: Constructions of the Self in Christa Moog's Aus tausend grünen Spiegeln; Sabine Wilke, The Sexual Woman and Her Struggle for Subjectivity: Cruel Women in Sade, Sacher-Masoch, and Treut Volume 13 Herta Müller, The Red Flower and the Rod; Libuse Moníková, Some Theses Regarding Women's Writing; Karin A. Wurst, Elise Bürger (1769-1833) and the Gothic Imagination; Daniel Purdy, Sophie Mereau's Authorial...