Abstract

The legend of the Siete Infantes de Lara, which had proven its popularity in chronicles and ballads, was adapted for the Golden Age comedia first by Juan de la Cueva, and later by Lope de Vega. Cueva must receive full credit for introducing the crónicas and the Romancero as material for the Golden Age stage; however, his version of the play is weakened by his exclusion of important elements of the original legend. Lope, on the other hand, adheres closely to the Siete Infantes legend as it appears in ballads and fourteenth-century chronicles, and adds only elements which increase the legend's popular appeal, such as the amorous subplot. Stylistically, in contrast with Cueva's elevated and sometimes ponderous tone, Lope incorporates dramatic techniques which enhance rather than hinder the effectiveness of his play. (SDC)

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