Abstract

This article discusses the films of Pierre Perrault and Bob Quinn, which are engaged in a kind of discussion with ethnographic practice and nationalist discourse. Both filmmakers are fascinated by the experiences of those at the fringes of their nation-states, especially island and diasporic communities, favoring the exposition of ambiguity and hybridity over simplified understandings of national experiences.

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Additional Information

ISSN
2578-4919
Print ISSN
2578-4900
Pages
pp. 101-124
Launched on MUSE
2003-01-29
Open Access
No
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