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  • Contributors

Jinhee Choi is a Lecturer in Film Studies at the University of Kent, United Kingdom. She is coeditor of Philosophy of Film and Motion Pictures (Blackwell, 2005) and Horror to the Extreme (Hong Kong University Press, 2009). Her book The South Korean Film Renaissance: Local Hitmakers, Global Provocateurs, was recently published by Wesleyan University Press.

Michael Curtin is the Mellinchamp Professor of Global Media at the University of California, Santa Barbara. His books include Playing to the World's Biggest Audience: The Globalization of Chinese Film and TV, The American Television Industry, and Reorienting Global Communication: Indian and Chinese Media Beyond Borders.

Darrell William Davis is Honorary Associate Professor in Visual Studies at Lingnan University, Hong Kong. He is author of Picturing Japaneseness: Monumental Style, National Identity, Japanese Film (Columbia University Press, 1996), coauthor of Taiwan Film Directors: A Treasure Island (Columbia University Press, 2005) and East Asian Screen Industries (British Film Institute, 2008), and coeditor of Cinema Taiwan: Politics, Popularity and State of the Arts (Routledge, 2007).

Koichi Iwabuchi is Professor of Media and Cultural Studies at the School of International Liberal Studies, Waseda University, Tokyo. He is currently working on media and cultural citizenship in the Japanese and trans-Asian context.

Michael Keane is Associate Professor and Principal Research Fellow at the Australian Research Council Centre for Creative Innovation at the Queensland University of Technology in Australia. His most recent book is Created in China: The Great New Leap Forward (Routledge, 2007).

Laikwan Pang is Professor of Cultural Studies at the Chinese University of Hong Kong. She is the author of Building a New China in Cinema: The Chinese Left-Wing Cinema Movement, 1932–37 (Rowman and Littlefield, 2002), Cultural Control and Globalization in Asia: Copyright, Piracy, and Cinema (Routledge, 2006), and The Distorting Mirror: Visual Modernity in China (University of Hawaii Press, 2007).

Wanning Sun is Professor of Chinese Media at the University of Technology, Sydney. Her publications include Leaving China (Rowman & Littlefield, 2002), Media and the Chinese Diaspora (Routledge, 2006), and Maid in China: Media, Morality, and the Cultural Politics of Boundaries (Routledge, 2009).

Yingjin Zhang is Director of Chinese Studies and Professor of Chinese Literature at the University of California–San Diego. His books include Cinema and Urban Culture in Shanghai (Stanford University Press, 1999), Screening China (Center for Chinese Studies, University of Michigan, 2002), Chinese National Cinema (Routledge, 2004), From Underground to Independent (Rowman & Littlefield, 2006), and Cinema, Space, and Polylocality in a Globalizing China (University of Hawaii Press, 2010). [End Page 154]

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