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Muerte Sin Fin: Teresa Margolles's Gendered States of Exception
- TDR: The Drama Review
- The MIT Press
- Volume 54, Number 2, Summer 2010 (T 206)
- pp. 103-125
- Article
- Additional Information
There is a forensic prescience evident in the corpus of Mexican performance and conceptual artist Teresa Margolles. The gendered "states of exception" of Margolles's medium and message—the corpse, its presence and absence—relate to broader representations of Mexico's escalating "domestic violence."