Contributors
- Contributors
Ruoyun Bai is Assistant Professor of Media Studies at the University of Toronto. Her research expertise is Chinese television, and she is currently completing a book on Chinese anticorruption television dramas.
Michael Berry is Associate Professor of Contemporary Chinese Cultural Studies at the University of California-Santa Barbara. He is the author of Speaking in Images: Interviews with Contemporary Chinese Filmmakers (Columbia University Press, 2005), A History of Pain: Trauma in Modern Chinese Literature and Film (Columbia University Press, 2008), and Jia Zhangke's 'Hometown Trilogy' (Palgrave Macmillan, 2009). He is also the translator of The Song of Everlasting Sorrow, To Live, Nanjing 1937: A Love Story, and Wild Kids: Two Novels About Growing Up.
Shujen Wang is Associate Dean of the School of the Arts and Associate Professor in the Department of Visual and Media Arts at Emerson College.
Esther C. M. Yau teaches Film and Visual Culture at the School of Humanities at the University of Hong Kong. She is editor of At Full Speed: Hong Kong Cinema in a Border-less World (University of Minnesota Press, 2001) and coeditor of New Chinese Cinemas: Forms, Identities, Politics (Cambridge University Press, 1994). She has published essays in Film Quarterly, Discourse, and Wide Angle, among other journals. [End Page 168]
