Abstract

This essay explores the presence of William Blake's contraries in David Almond's novel, Skellig, bringing Blake scholarship in parallel with Almond's writing. Based on that exploration, it describes the degree to which Almond has altered and responded to Blake's ideas.

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Additional Information

ISSN
1543-3374
Print ISSN
0092-8208
Pages
pp. 115-132
Launched on MUSE
2010-05-14
Open Access
No
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