Volume Index

Volume 17 corresponds to issues 49–51.

Mark Berrettini Can "We All" Get Along? Social Difference, the Future, and Strange Days. No. 50; pp. 155-89.

Bonnie Blackwell A Blustery Day for a Baby: Technologies of Family Formation in Twister. No. 49; pp. 189-215.

Brian Carr Strange Days and the Subject of Mobility. No. 50; pp. 191-217.

Marsha Cassidy and Mimi White Innovating Women's Television in Local and National Networks: Ruth Lyons and Arlene Francis. No. 51; pp. 31-69.

Elizabeth Coffman Women in Motion: Loie Fuller and the "Interpenetration" of Art and Science. No. 49; pp. 73-105.

Tracy Cox Consuming Distractions in Prix de beauté. No. 50; pp. 41-67.

David Crane Projections and Intersections: Paranoid Textuality in Sorry, Wrong Number. No. 51; pp. 71-113.

Ann Cvetkovich In the Archives of Lesbian Feelings: Documentary and Popular Culture. No. 49; pp.107-47.

Despina Kakoudaki Spectacles of History: Race Relations, Melodrama, and the Science Fiction/Disaster Film. No. 50; pp. 109-153.

A. Samuel Kimball Conceptions and Contraceptions of the Future: Terminator 2, The Matrix, and Alien Resurrection. No. 50; pp. 69-107.

Alice Maurice "Cinema at Its Source": Synchronizing Race and Sound in the Early Talkies. No. 49; pp. 31-71.

Susan McHugh Bringing Up Babe. No. 49; pp. 149-87.

Kirsten Ostherr Contagion and the Boundaries of the Visible: The Cinema of World Health. No. 50; pp. 1-39.

Nina Schwartz Itsy-Bitsy Spiders and Other Pieces of the Real in Dead Calm. No. 51; pp. 149-179.

Emily Shelton A Star Is Porn: Corpulence, Comedy, and the Homosocial Cult of Adult Film Star Ron Jeremy. No. 51; pp. 115-47.

Kaja Silverman The Dream of the Nineteenth Century. No. 51; pp. 1-29.

Kristen Whissel Regulating Mobility: Technology, Modernity, and Feature-Length Narrativity in Traffic in Souls; No. 49; pp. 1-29.

Mimi White See Marsha Cassidy and Mimi White.