Books Received

Adams, Rachel. Sideshow U.S.A.: Freaks and the American Cultural Imagination. Chicago: University of Chicago Press, 2001.

Aitken, Ian. European Film Theory and Cinema: A Critical Introduction. Bloomington: Indiana University Press, 2001.

Cheng, Meiling. In Other Los Angeleses: Multicentric Performance Art.
Los Angeles: University of California Press, 2002.

Cohan, Steven, ed. Hollywood Musicals: The Film Reader. New York: Routledge, 2002.

Creeber, Glen, ed. The Television Genre Book. London: British Film Institute, 2001.

Edgerton, Gary, and Peter C. Rollins, eds. Television Histories: Shaping Collective Memory in the Media Age. Lexington: University Press of Kentucky, 2001.

Estrin, Mark W., ed. Orson Welles: Interviews. Jackson: University of Mississippi Press, 2002.

Eyles, Allen. Odeon Cinemas 1: Oscar Deutsch Entertains Our Nation. London: British Film Institute, 2002.

Fawal, Ibrahim. Youssef Chahine. London: British Film Institute, 2001.

Fusco, Coco. The Bodies That Were Not Ours and Other Writings. New York: Routledge, 2001.

Gittings, Christopher. Canadian National Cinema. New York: Routledge, 2002.

Griffin, Susan M., ed. Henry James Goes to the Movies. Lexington: University Press of Kentucky, 2002.

Guerrero, Ed. Do the Right Thing. London: British Film Institute, 2001.

Hake, Sabine. Popular Cinema of the Third Reich. Austin: University of Texas Press, 2001.

Hark, Ina Rae, ed. Exhibition: The Film Reader. New York: Routledge, 2002.

Holmlund, Chris. Impossible Bodies: Femininity and Masculinity at the Movies. New York: Routledge, 2002.

James, David E., and Kyung Hyun Kim, eds. Im Kwon-Taek: The Making of Korean National Cinema. Detroit, MI: Wayne State University Press, 2002.

Jancovich, Mark, ed. Horror: The Film Reader. New York: Routledge, 2002.

Leff, Leonard J., and Jerold L. Simmons. Dame in the Kimono: Hollywood, Censorship, and the Production Code. 2d ed. Lexington: University Press of Kentucky, 2001.

Le Grice, Malcom. Experimental Cinema in the Digital Age. London: British Film Institute, 2001.

Marin, Louis. On Representation. Trans. Catherine Porter. Stanford, CA: Stanford University Press, 2001.

Mellen, Joan. Seven Samurai. London: British Film Institute, 2002.

Michelson, Annette, ed. Andy Warhol. Cambridge: MIT Press, 2001.

Murphy, Robert, ed. The British Cinema Book. 2d ed. London: British Film Institute, 2001.

Neville, Brian, and Johanne Villeneuve, eds. Waste-Site Stories: The Recycling of Memory. Albany: State University of New York Press, 2002.

Petro, Petrice. Aftershocks of the New: Feminism and Film History. New Brunswick, NJ: Rutgers University Press, 2002.

Polan, Dana. Jane Campion. London: British Film Institute, 2001.

Ravetto, Kriss. The Unmaking of Fascist Aesthetics. Minneapolis: University of Minnesota Press, 2001.

Sandoval-Sánchez, Alberto, and Nancy Saporta Sternbach. Stages of Life: Transcultural Perfomance and Identity in U.S. Latina Theater. Tucson: University of Arizona Press, 2001.

Sarlo, Beatrice. Scenes from Postmodern Life. Trans. Jon Beasley-Murray. Minneapolis: University of Minnesota Press, 2001.

Senie, Harriet F. The "Tilted Arc" Controversy: Dangerous Precedent? Minneapolis: University of Minnesota Press, 2002.

Singer, Beverly R. Wiping the War Paint off the Lens: Native American Film and Video. Minneapolis: University of Minnesota Press, 2001.

Smith, Murray. Trainspotting. London: British Film Institute, 2002.

Smoodin, Eric, and Ann Martin, eds. Hollywood Quarterly: Film Culture in Postwar America, 1945-1957. Berkeley: University of California Press, 2002.

Urban, Greg. Metaculture: How Culture Moves through the World. Minneapolis: University of Minnesota Press, 2001.

Usai, Paolo Cherchi, ed. The Griffith Project, Volume 5: Films Produced in 1911. London: British Film Institute, 2001.