Abstract

One dancer, one choreographer, one filmmaker. Together they recursively confront Sherman’s by now famous, gender-inflected, photographic self-enactments, probing the conventions and lingering specificity, if any, of the media and art forms in our hybridized digital culture. In their intermedial performances, these media and art forms become the means and the objects of analysis.

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Additional Information

ISSN
1531-4715
Print ISSN
1054-2043
Pages
pp. 39-58
Launched on MUSE
2010-03-05
Open Access
No
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