Index to Volume 27

American Music   Winter 2009© 2009 by the Board of Trustees of the University of Illinois Index To Volume 27 Compiled by Jim Farrington Personal names are identified as author of composer a, compiler c, editor e, performer p, reviewer r, or subject s. Subject entries (e.g., Jazz) are interfiled. Titles of American Music articles are in quotation marks; titles of books, recordings, and websites are italicized. Sound recordings are differentiated by the abbreviation rec, videos by v, and websites by w. African Americans, 2:204–26 America’s Concertmasters. (Heiles, a; Freeman , r), 1:107–08 American Virtuoso, rec (Carlson, r), 1:119–21 “Archie Bleyer and the Lost Influence of Stock Arrangements in Jazz,” (Clark, Jr., a) 2:138–79 Awake, My Soul: The Story of the Sacred Harp, v (Girard, r), 1:122–24 Ayler, Albert, a. Healing Force: The Songs of Albert Ayler, rec (Schwartz, r), 1:114–17 Barber, Samuel, s 4:461–99 Bartók, Bela, s 2:254–58 Bernstein, Leonard, s 3:356–68; 4:525–28 Beyer, Johanna, a. Johanna Beyer: Sticky Melodies, rec (de Graaf, r), 3:381–85 Biography, 1:1–59 Bleyer, Archie, s 2:138–79 Bomberger, E. Douglas, r 3:369–71 Brooks, Tim, a. “Only in America: The Unique Status of Sound Recordings under U.S. “Copyright Law and How it Threatens Our Audio Heritage,” 2:125–37 Burkholder, J. Peter, a. “Music of the Americas and Historical Narratives,” 4:399–423 Cage, John, a. Two2 for two pianos, rec. (Goldstein, r), 1:109–11 Cage, John, s 1:60–86; 3:327–55; 3:395–98 Carlson, Stephen r 1:119–21 Carter, Elliott, s 3:389–95 “Chou Wen-Chung on Varèse: An Interview ,” (Gillespie, a) 4:441–60 Clark, Jr., John L., a. “Archie Bleyer and the Lost Influence of Stock Arrangements in Jazz,” 2:138–79 Classical Music in America (Horowitz, a; Bomberger, Magee, Winter, r), 3:369–78 Concert Reviews, 3:389–98; 4:521–28 “The Construction of Masculinity in African American Music and Sports,” (McLeod, a) 2:204–26 “A Conversation with Richard Rodgers,” (Michaelis, a) 3:267–301 Copyright, 2:125–37 Country Music Originals (Russell, a; Pruett, r), 1:104–06 Country Music, 1:104–06; 4:500–14 “Country Radio’s Growing Pains in the Music Trades, 1967–1977,” (Simpson, a) 4:500–14 Cowell, Clarissa Dixon, a. “Material for Biography,” 1:1–59 de Graaf, Melissa J. r 3:381–85 DeLapp-Birkett, Jennifer, r 2:254–58 Doering, James M., r 3:386–88 Edwin A. Fleisher Collection, 1:87–101 Ertan, Deniz, a. “When Men and Mountains Meet: Ruggles, Whitman, and Their Landscapes,” 2:227–53 “Experimental Music around 1950 and Some Consequences and Causes (Social-Political and Musical),” (Wolff, a) 4:424–40 Film Music, 4:461–99 Fosler-Lussier, Danielle, a. Music Divided: Bartók’s Legacy in Cold War Culture (DeLapp-Birkett, r) 2:254–58 Foundation (Schloss, a; Miyakawa, r), 4:515–17 Freeman, Erin R., r 1:107–08 “From the Editor,” (Hicks, a)3:265–66 Gillespie, Don, a. “Chou Wen-Chung on Varèse: An Interview,” 4:441–60 Girard, Aaron, r 1:122–24 Goldstein, Louis, r 1:109–11 Grimshaw, Jeremy, r 4:521–25 Haskins, Rob, a. “On John Cage’s Late Music, Analysis, and the Model of Renga in Two2 ,” 3:327–55 Haskins, Rob, p 1:109–11; 3:395–98 Heiles, Anne Mischakoff, a. America’s Concertmasters . (Freeman, r), 1:107–08 Helgert, Lars, a. “Songs from Leonard Bernstein’s Stage Works as Jazz Repertoire ,” 3:356–68 Helgert, Lars, r 4:525–28 Hicks, Michael, a. “From the Editor,” 3:265–66 Hip-hop, 4:515–17 Hischak, Thomas, a. The Oxford Companion to the American Musical: Theatre, Film, and Television (Horowitz, r), 3:378–80 Horowitz, Joseph, a. Classical Music in America: A History (Bomberger, Magee, Winter, r), 3:369–78 Horowitz, Mark Eden, r 3:378–80 “Indeterminacy and Performance Practice in Cage’s Variations,” (Miller, a), 1:60–86 Jazz, 1:114–17; 2:138–79; 2:258–63; 3:356–68 Jenkins, Chadwick...