Abstract

Marjorie Allen Seiffert, an early twentieth-century poet and participant in the Spectra hoax, a literary farce designed to debunk imagism, used literary pseudonyms to express feminist sensibilities while remaining an upstanding member of conservative midwestern high society. Seiffert's pseudonymous poetry brought into existence virtual personas that integrated her sense of self yet refused to privilege one voice over another. her multiple personas provided a way of having individuality without breaking from her traditional lifestyle. Moreover, her strategies for becoming a modern woman and poet in her own right reveal much about the complexities of life in an era whose cultural values were dramatically changing. By creating more identities for herself, poetic personas that could express thoughts and feelings she deemed inappropriate for a woman of her stature, Seiffert added her own imaginative twist, reconciling contradictions inherent in a modern woman's identity.

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Additional Information

ISSN
1936-1645
Print ISSN
0732-7730
Pages
pp. 75-96
Launched on MUSE
2009-12-25
Open Access
No
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