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THE HENRY JAMES REVIEW Index to Volume V Announcements.......................................................67, 155-56 Bender, Eileen T. The Question of His Own French: Dialect and Dialectic in The Ambassadors.......................................128-34 Buckler, William E. Rereading Henry James Rereading Robert Browning: "The Novel in The Ring and the Book"...................................135-45 Dahl, Curtis. Lord Lambeth's America: Architecture in James's "An International Episode"..............................................80-95 Deakin, Motley. Two Studies of Daisy Miller...................................2-28 Fogel, Daniel Mark. From the Editor......................................79, 156 Foster, Dennis. Maisie Supposed to Know: Amo(u)ral Analysis..................207-16 Gale, Robert L. Review of three Oxford University Press reprints, Roderick Hudson, The Portrait of a Lady, and What Maisie Knew.............75-77 Getz, Thomas H. Review of R. B. J. Wilson, Henry James's Ultimate Narrative: The Golden Bowl...........................................146-48 Hocks, Richard A. James Studies 1981: An Analytic Bibliographical Essay................................................................29-59 -----------and Paul Taylor. James Studies 1982: An Analytic Bibliographical Essay...............................................................158-86 James Society Meeting, 1983: Henry James and Contemporary Critical Theory.............................................................187-232 Johnsen, WilUam A. The Moment of The American in l'écriture Judéo-Chrétienne....................................................216-20 Kairschner, Mimi. The Traces of Capitalist Partiarchy in the Silences of The Golden Bowl...........................................187-92 Kimmey, John. London in The Portrait of a Lady..............................96-99 Martin, W. R. "The Eye of Mr. Ruskin": James's Views on Venetian Artists.....................................................107-16 Netteis, Elsa. Review of Nicholas Delbanco, Group Portrait: Joseph Conrad, Stephen Crane, Ford Madox Ford, Henry James, H. G. WeUs.................70-72 Purdy, Strother B. Correspondence.............................................78 Volume V 233 Number 3 Richards, B. Another Model for Christina Light...............................60-65 Robbins, Bruce. Shooting Off James's Blanks: Theory, Politics, and The Turn of the Screw................................................192-99 Rowe, John Carlos. After Freud: Henry James and Psychoanalysis..............226-32 Schneider, Daniel. Review of Daniel Mark Fogel, Henry James and the Structure of the Romantic Imagination..................................149-51 Seltzer, Mark. James, Pleasure, Power....................................199-203 Springer, Mary Doyle. Review of James Phelan, Worlds from Words: A Theory of Language in Fiction........................................73-74 Sprinker, Michael. Historicizing Henry James...............................203-207 Stonum, Gary Lee. Review of John Carlos Rowe, Through the Custom House: Nineteenth-Century American Fiction and Modern Theory...........152-54 Taylor, Paul. See Hocks........................................................ Tintner, Adeline R. A Textual Error in The Spoils of Poynton......................65 Westbrook, Wayne W. Selah Tarrant à la Daudet............................100-106 Ward, J. A. Review of Carolyn Porter, Seeing and Being: The Plight of the Participant Observer in Emerson, James, Adams, and Faulkner..............68-69 Whiteman, Bruce. The Henry James CoUection at McMaster University............................................................66-67 Winnett, Susan. Mise en Crypt: The Man and the Mask........................220-26 Wirth-Nesher, Hana. The Thematics of Interpretation: James's Artist Tales.........................................................117-27 Volume V 234 Number 3 ...

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