Contributors
- Contributors
Pascale Aebischer is Senior Lecturer in Renaissance Studies at the University of Exeter. She is the author of Shakespeare’s Violated Bodies: Stage and Screen Performance (2004) and Jacobean Drama: A Reader’s Guide to Essential Criticism (2010), coeditor of Remaking Shakespeare: Performance Across Media, Genres and Cultures (2003), and performance studies reviewer for Shakespeare Survey (2009–11). She is currently coediting Performing Early Modern Drama Today with Kathryn Prince.
Bruce Boehrer lives in Florida, where he sometimes teaches English.
Jackson C. Boswell, Scholar-in-Residence at the Folger Shakespeare Library, is the author (with Dale B. J. Randall) of Cervantes in Seventeenth-Century England: The Tapestry Turned (2009). He is currently working with Gordon Braden on Petrarch’s English Laurels: Petrarch’s Fame in England 1475–1700.
Ann C. Christensen, Associate Professor of English at the University of Houston, is working on Separation Scenes: Domesticity and Capitalism in Early Modern England, a study of sixteenth- and seventeenth-century representations of housework and paid labor. She has published articles on the drama of Shakespeare, Jonson, Middleton, and Heywood, as well as on Jonson’s poetry and film adaptations of The Taming of the Shrew.
Thomas Cogswell is Professor of History at University of California, Riverside. He authored The Blessed Revolution: English Politics and the Coming of War, 1621–1624 (1989) and Home Divisions: Aristocracy, the State and Provincial Conflict (1998) and edited Politics, Religion and Popularity in Early Stuart Britain (2002).
Lawrence Danson, professor of English at Princeton University, has published the Longman Cultural Edition of The Merchant of Venice and the Oxford Shakespeare Topics volume Shakespeare’s Dramatic Genres.
Sara Munson Deats, Distinguished University Professor at University of South Florida, is the author of many articles on Marlowe and Shakespeare, [End Page 389] as well as Sex, Gender, and Desire in the Plays of Christopher Marlowe, which received the Roma Gill Prize for Marlowe Scholarship. She has coedited two collections of essays on Marlowe and edited a volume of essays on Antony and Cleopatra for Routledge. She is currently working on her tenth book, A Critical Guide to Doctor Faustus.
Andrew Escobedo, Associate Professor at Ohio University, is the author is Nationalism and Historical Loss in Renaissance England: Foxe, Dee, Spenser, Milton (2004). He is currently writing a book about personification as an expression of Renaissance ideas about the will.
Susan Allen Ford is Professor of English at Delta State University. She is the editor of Persuasions: The Jane Austen Journal and of Persuasions On-Line.
Jeffrey Todd Knight is Assistant Professor of English at the University of Michigan and Postdoctoral Fellow in the Michigan Society of Fellows.”
Peter Lake is Professor of History at Vanderbilt University. He has written four books, including The Antichrist’s Lewd Hat and The Boxmaker’s Revenge (both 2002) and coedited six collections of essays. He is currently working on a book on Shakespeare’s history plays and the religious and dynastic politics of the 1590s, a book on Catholic critiques of the Elizabethan regime, and a book about Samuel Clarke’s collections of godly lives.
Courtney Lehmann is Professor of English and Film Studies and Director of the Humanities Center at the University of the Pacific. She is the author of Shakespeare Remains: Theater to Film, Early Modern to Postmodern (2002) and more than twenty essays on Shakespeare and film. She is currently completing a book on Shakespeare, film, and feminism.
Jeremy Lopez is Associate Professor of English Literature at the University of Toronto and the theater review editor for Shakespeare Bulletin. He is the author, most recently, of Shakespeare Handbooks: “Richard II” (2009).
Ian Smith, Associate Professor of English at Lafayette College, has published on Shakespeare and postcolonial literature. He is currently preparing a book on early modern English blackface theater. [End Page 390]
