Contributors
- Contributors
Richard Burt, Professor of English at the University of Massachusetts, Amherst, is the author of Unspeakable ShaXXXspeares: Queer Theory and American Kiddie Culture (1998) and Licensed by Authority: Ben Jonson and the Discourses of Censorship (1993); he is also the editor of Shakespeare After Mass Media (2002) and The Administration of Aesthetics: Censorship, Political Criticism, and the Public Sphere (1994) and the coeditor of three other works. He is currently working on two books: Ever Afterlives: Fashioning the Renaissance on Film and Video and Dumb Love: A Loser's Guide.
Peter S. Donaldson, Professor and Chair of Literature at the Massachusetts Institute of Technology and Director of the Shakespeare Electronic Archive, is the author of Shakespearean Films/Shakespearean Directors (1990) and of essays on Shakespeare films in Shakespeare the Movie, Shakespeare After Mass Media, Shakespeare Survey, and the forthcoming The Reel Shakespeare, edited by Lisa S. Starks and Courtney Lehmann.
Barbara Hodgdon, Adjunct Professor of English at the University of Michigan, Ann Arbor, is the author of The End Crowns All: Closure and Contradiction in Shakespeare's History (1991), The First Part of King Henry the Fourth: Texts and Contexts (1997), and The Shakespeare Trade: Performances and Appropriations (1998); she is currently editing The Taming of the Shrew for the Arden Shakespeare and coediting, with William B. Worthen, the Blackwell Companion to Shakespeare and Performance.
Douglas M. Lanier, Assistant Professor of English at the University of New Hampshire, has published articles on Shakespeare, Jonson, Milton, and the masque as well as a book entitled Shakespeare and Modern Popular Culture (2002).
Courtney Lehmann, Assistant Professor of English and Film Studies and Director of the Pacific Humanities Center at the University of the Pacific, is the author of Shakespeare Remains: Theater to Film, Early Modern to Postmodern (2002).
Laurie E. Osborne, Associate Professor of English at Colby College, is the author of The Trick of Singularity: Twelfth Night and the Performance Editions (1996). Her current work includes articles in Shakespeare Yearbook, Post Script, and Textual Practice as well as in Shakespeare After Mass Media and Spectacular Shakespeare. [End Page 280]
Lisa S. Starks, Assistant Professor of English at the University of South Florida, Saint Petersburg, is coeditor, with Courtney Lehmann, of Spectacular Shakespeare: Critical Theory and Popular Cinema (2002) and the forthcoming The Reel Shakespeare: Alternative Cinema and Theory; the guest editor of two special issues of Post Script: Essays in Film and the Humanities; and the author of several articles. Currently she is working on the intersecting histories of psychoanalysis, cinema, and Hamlet in the twentieth century. [End Page 281]
