Contributors
- Contributors
Catherine Belsey chairs the Centre for Critical and Cultural Theory at Cardiff University; her most recent book is Shakespeare and the Loss of Eden: The Construction of Family Values in Early Modern Culture.
Douglas A. Brooks, Assistant Professor of English at Texas A&M University, is the author of a book on dramatic authorship and the editor of two forthcoming essay collections: From Playhouse to Printing House: Drama and Authorship in Early Modern England and Milton and the Jews; he is currently writing a book entitled All the Kings’ Printers: The Imprint of Royal Authority in Early Modern England, 1509-1649.
David Carnegie, Reader and Programme Director in Theatre at Victoria University of Wellington, New Zealand, is co-editor of The Works of John Webster and is currently completing an edition of Twefth Night.
Barbara Freedman, Associate Professor of Drama at Tufts University, has just accepted a three-year media-studies fellowship to study the role of digital imaging in cinema; she is the author of Staging the Gaze: Postmodernism, Psychoanalysis, and Shakespearean Comedy, and her most recent essay, “Critical Junctures in Shakespeare Screen History: The Case of Richard III,” appeared in The Cambridge Companion to Shakespeare on Film.
Daniel Juan Gil, Assistant Professor of English at the University of Oregon, is currently completing a study of sexuality and social theory from Wyatt to Shakespeare.
Russell Jackson, Reader in Shakespeare Studies and Deputy Director of the Shakespeare Institute at the University of Birmingham, has recently edited The Cambridge Companion to Shakespeare on Film.
Heather James, Associate Professor of English and Comparative Literature at the University of Southern California, is the author of Shakespeare’s Troy: Drama, Politics, and the Translation of Empire. [End Page 435]
Theodore B. Leinwand, Professor of English at the University of Maryland, is the author of The City Staged: Jacobean Comedy, 1603-1613 and Theatre, Finance and Society in Early Modern England. His edition of Michaelmas Term is forthcoming in the Oxford Collected Works of Thomas Middleton.
Jason P. Rosenblatt, Professor of English at Georgetown University, is the author of Torah and Law in “Paradise Lost” and coeditor of “Not in Heaven”: Coherence and Complexity in Biblical Narrative; he is currently writing a book on Christian Hebraism in the English literary renaissance.
Kenneth S. Rothwell, Professor Emeritus of English at the University of Vermont, compiled (with Annabelle Henkin Melzer) Shakespeare on Screen: An International Filmography and Videography and is the author of A History of Shakespeare on Screen: A Century of Film and Television.
Richard Strier, Professor of English at the University of Chicago, is the author of Love Known: Theology and Experience in George Herbert’s Poetry and Resistant Structures: Particularity, Radicalism, and Renaissance Texts. He has recently coedited Writing and Political Engagement in Seventeenth-Century England with Derek Hirst and is currently editing Quarto Lear for the Bedford Texts and Contexts series.
Peter Thomson is Emeritus Professor of Drama at the University of Exeter. [End Page 436]
