Abstract

This essay is an attempt to see how some of Galison's ideas and analyses look from the vantage of art history. If there's to be dialogue between the history of science and the history of art, it will be necessary to find historically recognizable senses for words like "logic" and "homologous." I also propose how Galison's kinds of images might fit into larger classifications of images known to the history of art.

Additional Information

ISSN
1530-9274
Print ISSN
1063-6145
Pages
pp. 151-180
Launched on MUSE
1999-06-01
Open Access
No
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