Abstract

Although there is a vast literature about Darwin there remains an urgent need, particularly in the field of literary studies, for greater understanding of his work. This essay examines current trends in Darwinian criticism, contrasting Literary Darwinism—which seeks in literature the "human nature" being defined by evolutionary psychology—with other models of Darwinian criticism provided by historians of science and literary scholars, models that bring together a sense of historical context with original attention to form and language. Such attention points toward future work that might alter our understanding of Darwin's achievement, both as scientist and writer, and thus change our sense of the affective implications of the world he represents.

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