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Glenn Gould, the Vanishing Performer and the Ambivalence of the Studio
- Leonardo Music Journal
- The MIT Press
- Volume 18, 2008
- pp. 77-83
- Article
- Additional Information
This article examines Canadian pianist Glenn Gould's turn from performance to the recording studio as a means to realize music's utopian potential. What emerged from these post-performance years was a deep ambivalence engendered by the studio itself: a distinctly compelling vision of the studio as a monastic retreat, a site of total control in music and a technology of self-erasure.