
From:
MFS Modern Fiction Studies
Volume 54, Number 2, Summer 2008
pp. 189-208 | 10.1353/mfs.0.0012
Relating the exploration of secrecy in Conrad’s The Secret Agent to Derrida’s engagement with secrecy reveals a striking proximity: Derrida and Conrad both evoke what might be called a secret without secret, a depthless secret beyond the secret, and thereby displace the secret with content. It also reveals a striking divergence. Not sharing Derrida’s passion for the secret without secret, Conrad – at least in this text – does not bear witness to what Derrida describes as “democracy to come,” nor exemplify the attempt to loosen “the sway of the Author” that Barthes affirms.
-
If you would like to authenticate using a different subscribed institution that supports Shibboleth authentication or have your own login and password to Project MUSE, click 'Authenticate'.
-
-
You are not currently authenticated.
-
View freely available titles: Book titles OR Journal titles
-