Abstract

José Legaspi is one of the few openly gay visual artists in the Philippines, a predominantly Catholic society that generally still has much difficulty accepting the idea and practice of homosexuality. Often autobiographical in nature, Legaspi's contemporary art installations, sculptures, and drawings bring together image, text, and materiality to bear witness to dark personal life-narratives relating to his homosexuality and Catholicism in the Philippines. His "auto-graphic" reflections record explicit depictions of his own sexuality, sardonic critiques of religious repression, and anguished and often violent reflections on the life and death of those most dear and hateful to his heart.

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