Back issue index of Film History – volumes 12–19 (2000–2007)

Volume 12, Number 1, 2000

ORAL HISTORY, Edited by Richard Koszarski

Lewis Milestone: From transcript to film script, by Kevin Brownlow

Rudolf Arnheim in discussion with film students and faculty, San Francisco State College, 7 May 1965, by John Fell

'A Lion in Your Lap — A Lover in Your Arms': Arch Oboler and Bwana Devil, by Richard Koszarski

Conversations with Irvin V. Willat, by Robert S. Birchard

Uncovering an auteur: Fred Zinnemann, by Alan Marcus

Pioneer days in colour motion pictures with William T. Crespinel, by William A. Crespinel

Witnessing the development of independent film culture in New York: an interview with Charles L. Turner, by Ronald S. Magliozzi

The Hollywood star system and the regulation of actors' labour, 1916-1934, by Sean P. Holmes

Ethnic cinema in the nickelodeon era in New York City: Commerce, Assimilation and Cultural Identity, by Patrick Mullins

Volume 12, Number 2, 2000

MOVING IMAGE ARCHIVES: Past and Future, Edited by Daniel J. Leab

Beyond 'On-the-Job': The education of moving image archivists — a history in progress, by Gregory Lukow

Archiving 'Outside the Frame': Audiovisual archiving in South East Asia and the Pacific, by Ray Edmondson

No longer reinventing the wheel but creatively skinning the cat, by Abigail Leab Martin

Thomas Jefferson's movie collection, by Patrick G. Loughney

Unknown pioneer: Edward Foxen Cooper and the Imperial War Museum Film Archive, 1919-1934, by Roger Smither and David Walsh

Interstate Theatre Collection, 1907-1977: City of Dallas Public Library Dallas, Texas, by Ronald W. Wilson

The Olympic Museum and IOC Studies Centre, Lausanne: A Personal View, by Thomas Cripps

The mystery of the missing director, by In a Bertrand

Volume 12, Number 3, 2000

EARLY ITALIAN CINEMA, Edited by Giorgio Bertellini

The Giant Ambrosio, or Italy's most prolific silent film company, by Claudia Gianetto

The 'Pastrone System': Itala Film from the origins to World War I, by Silvio Alovisio

Rome's premiere film studio: Società Italiana Cines, by Kimberly Tomadjoglou

Milano Films: The exemplary history of a film company of the 1910s, by Raffaele De Berti

Film on paper: Early Italian cinema literature, 1907-1920, by John P. Welle

Italian serial films and 'international popular culture', by Monica Dall'Asta

'Our beautiful and glorious art lives': The rhetoric of nationalism in early Italian film periodicals, by John David Rhodes

Visualising the past: The Italian city in early cinema, by Marco Bertozzi

Volume 12, Number 4, 2000

COLOUR FILM, Edited by John Belton

Foolish Wives: The colour restoration that never happened, by Richard Koszarski

Cinecolor, by John Belton

Demonstrating three-colour Technicolor: La Cucaracha (1934) and Becky Sharp (1935), by Scott Higgins

Analysis of Technicolor stock, by TCP of White, Weld & Co.

Getting It Right: Robert Harris on Colour Restoration, Interview with John Belton

Technicolor revival, by Richard W. Haines

Aural gratification with Kalem Films: a case history of music, lectures, and effects, 1907-1917, by Herbert Reynolds

Inventing Film Study and Its Object at Columbia University, 1915-1938, by Peter DeCherney

Volume 13, Number 1, 2001

NORDIC CINEMA, Edited by John Fullerton

Pocket Movies: Souvenir Cinema Programmes and the Danish Silent Cinema, byMark B. Sandberg

Dreyer and the National Film in Denmark, by Casper Tybjerg

'Ylimeno'-transitions in Finnish Films of the 1930s and 1940s, by Kimmo Laine

Radical Romanticism in Scandinavian Documentary: The Norwegian Nature Meme in For harde livet, by Bjørn Sørenssen

Notes on the Cultural Context of Reception: 'The Girl from the Marsh Croft', 1917, by John Fullerton

Aho and Stiller, by Antti Alanen

Norway in Moving Images: Hale's Tours in Norway in 1907, by Gunnar Iversen

Fragmentation and assemblage in the Lumière animated pictures, by André Gaudreault

The New Deal Cowboy: Gene Autry and the Anti modern Resolution, by Lynette Tan

Volume 13, Number 2, 2001

NON-FICTION FILM, Edited by Stephen Bottomore

'Local films for local people': Travelling showmen and the commissioning of local films in Great Britain, 1900-1902, by Vanessa Toulmin

Cinema's 'sanctuary': From pre-documentary to documentary film in Albert Kahn's Archives de la Planète (1908-1931), by Paula Amad

Rediscovering early non...