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  • Requiem
  • John Kinsella (bio)

Anniversaries defoliate maps.

Remember where you've come fromand the general fixedness of celestial bodies: flawtherein worth a life-changeor realigning

as purpose is to accolades,ministries to choirs

mosquitoes thickernear the riverconservedso join upto make little difference, thwartingmortgage-ocracies, national corporatismrejigged as mountain duckson sandbars    dugouts        saplingsplanted outup on the hill where native growthisn't rekindling

    navigate via callof male white-winged triller,loss-win ratio of northerly gusts [End Page 29]

Upstage redbackssnatch at prey, a nuclear test        border testthat opens debate new mines new policiesof nation-making-conservatism    the slower applicationof extremism, clearingto revegetate all scapes    with poplars and Tasmanian bluegums

I smell fuel through the steel jerrycan,degraded land of building.

Watch out: edge of storm,perched, metal casing, locust hoppers lulledbefore the flying; temporal thunderto swallow light and colour,phages in polished places

    black-faced cuckoo shrike predatesthrough mulberry tree, to thinkI might have a revelation in mindwhen I deck out Comusin new rayon garb

I have only ever read Paradise Lost, that's true,not a single word of anything else-or, rather,Paradise Lost is all that's lodged, [End Page 30]

all that's taken root,and words sprung upin trans-national vocabsare derivations of what's enclosed

I tell the student my grandmother repeopled the ghost townof her childhood, I tell her windows are the claimsof civilisation, having safe prospect; I tell her townsin the goldfields and Pilbaraaren't just there for extraction,but perpetual colonisation-never believe a white guywith a can of beer    and a pornoplaying on his dvd;        thunder is intenseand I was about to record lightning as a no-show,a freaky aberration,        but lightning is explodingletter by letteron the manual typewriter-the physicalexertion, stress on finger joints,a violent arthritis of the heavens.

November. Shiny green growthof eucalypts, late spring burst to linklittle moisture around-even now the storm is sparingin its downpour-and heat; humiditydrives the sparkle of growing tips, [End Page 31] flowerings?

    I need to participate,I need the risk of being struck,burnt to a crispby lightning, this devotion that forgets Godin the rush

and that's a pity, as there'll be no redrafting,no second or third takes.

Expression of requiem painon the unstable imprint.

Driving through loss, deletionsevery week more, though satellites incorrectlyrouted over, or imagesin a mass of data;

    behind every veneer of treesa suburb, a road widening        cessationof privateering transportand down loss ambience,anxiety passed with sleep

but who wants to hear that? [End Page 32] Who wants to be reminded,wants to deny rearranging surfaces, ormiles deep, through crust to mantle, as long as enough weight and spinretain a planetary shape?

degrees of technologydespite the windbreak of granite,leeward habitats exult in shelter

    I pray compulsively,always just before sleep and again if I wake during the nightin case I forgot before sleep

I never feel refreshed after sleep;the blue-tongued lizard would stay insidemy head if left to it.

It's not order I look for in Tracy's eyes.

Between the transparent and the opaqueshapes compile and disperse,a breakdown in sense reception: lethargyis the concrete floor of the shed stained with oilheating up-the vapours;

        it's not even an odour,it clogs the intake, inhalation, even through the mouth; [End Page 33] after the warnings and the facts, what will be left?Should have taken notice or not been reminded,look ahead-webiological agents.    Spread.            Roland Barthes'margarine scenario-true, Tracy, true. Nuttelex(which he didn't know about . . . surely?)is a vegan table spread. Literally,maybe Barthes literallybelieved in the efficacy of butter. Bretoncame from butter space: poverty and wetnursing,a differing hierarchy . . .

purple flowers of Paterson's cursedry blue, giddiness in crucifixand preface

    patrons scaled writtenwhat is written, copyists and calligraphers...

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