The Later Philosophy of R. G. Collingwood (review)

BOOK REVIEWS 143 sensual reason is supposed to develop the powers of observation and reasoning to the highest degree but not the spiritual intuition into the essence of things. Steiner proposed a theory of reincarnation; he also created a special kind of Christology which is based on the assumption that there were two Jesus-boys, one of whom incarnated the spirit of Zarathustra. As for Christ he descended into the second Jesus from extraterrestrial spheres where he pre-existed. This is the "mystery of Golgatha," a decisive event in the history of mankind. Steiner has also a special concept of Karma as world spirit. His beliefs are strongly influenced by the German "Naturphilosophie" of the Romantic epoch and by Fichte whom he admires. The main theme of his life-work is the struggle against "materialism," against the concept of "homo oeconomieus," although Steiner was connected in the beginning with the leaders of the Austrian social democracy, such as his friends, Engelbert Pernerstorfer, and Viktor Adler. There is also the influence of German mystics, such as Jakob Boehme, on his thinking. This collection of lectures shows also that in the crucial period of German nationalism-during World War I--Steiner was not a chauvinist. He criticized, for instance, in these lectures the chauvinistic aberrations of Thomas Mann. He predicts (p. 100), in the course of the mechanization of human thinking, the construction of machines which would replace thinking itself. Instead of thinking, there would be mere "switching" (man schiebt). He predicts furthermore (p. 98) that this radical mechanization of man will come from America. The greater part of mankind will be influenced by America from the West .... It will not take too much time: around the year 2000 there will be issued in America not a formal but still a sort of prohibition of thinking; there will be a law that will have the purpose of repressing all individual thinking. On one side there is already the beginning of this development in purely materialistic medicine where the soul is not permitted to act but man is dealt with on the basis of external experiments as a pure machine. MAx RINSER New York City The Later Philosophy of R. G. Collingwood. By Alan Donagan. (Oxford: at the Clarendon Press~ 1962. Pp. xi + 332. $6.00.) The influence of Collingwood has been evident in many disciplines, and, judging from the number of books, articles, and dissertations being prepared with him and his interests in mind, it is a safe guess that he will remain an ubiquitous influence for some time. Yet because Collingwood 's interests were so wide and his attraction so general, few, if any, of his readers and critics have attempted to "place" him. This is not to say that the critical works prepared by T. M. Knox (the "Editor's Preface" to The Idea of History, 1946) and E. W. F. Tomlin (R. G. Collingwood, 195~) were unconcerned with such an issue. Indeed, their respective studies appear to have it in mind; nevertheless, it was not the impetus for the specific work, and as a result their researches tend to be prolegomena. With the publication of Donagan's book, however, there is presented a study which must be considered a landmark, if not a turning point, in the tradition of Collingwood criticism: for Donagan not only "places" Collingwood, he also attempts to justify his conclusion. And for the critic it is the subtlety of Donagan's arguments, ~lbeit their venturesome quality, which leads one to suggest that this book will make its "contributions " both to the tradition in particular and to the avid interest in general. In the Preface, Donagan acknowledges the fact that in order to "place" Collingwood his readers must be persuaded "to abandon the injurious preconception with which Collingwood's later books are often read" (p. vii). Although he does not designate what these "preconceptions " are, it may be surmised that they have something to do with the traditional tendency among the critics to read too lightly The New Leviathan (1942). Donagan believes that Colling~ wood's "later" masterpieces, "The Idea of History (1936-39?), The Principles of Art (1938), and the first three parts of The...