Kant und sein Jahrhundert: Gedenkschrift für Giorgio Tonelli (review)

BOOK REVIEWS 69~ created mind will reflect the divine essence in its own unique way (e.g., 77, 83) helps to solve some of the problems which Parkinson finds in the pbenomenalism that he attributes to Leibniz (see xxxi and xxxiv) and also partly motivates the original formulation of Leibniz's principle of the identity of indiscernibles (50 and his doctrine of marks and traces (51). But the point of The Yale Leibniz surely has less to do with interpretation and more to do with text. Parkinson's translations are generally good. There are only a few cases where the English obscures both Leibniz's Latin and his argument (e.g., a paragraph on p. i 14 contains instances of the Latinfigura which are translated differently). That The Yale Leibniz has the excellent policy of including the original language on facing pages renders irrelevant the fact that one is bound to disagree with this qualified translator on some minor points. Parkinson's edition might have been a bit more scholar-friendly than it is: while his text contains both the page and essay numbers of the Academy edition, his table of contents contains neither; this means that one can neither make a quick comparison between the contents of the two volumes nor easily move back and forth between them. Nor is one privy, in Parkinson's text, to the many and important corrections which Leibniz made to his essays and which are carefully noted in the Academy volume. This is a serious flaw: these papers afford an extraordinary ringside seat on the development of beibniz's philosophy; it is a pity that many of the details of this metaphysical sparring remain out of sight. Despite these minor disappointments, Parkinson's edition of De Summa Rerum remains a genuinely helpful research tool. By taking on these enormously difficult and profoundly important texts and by placing them so securely in the context of Leibniz's later thought, he has done us a very great favor. He has also whetted our appetite for more of The Yale Leibniz. CHRISTIA MERCER Columbia University Claudio Cesa and Norbert Hinske, eds. Kant und seinJahrhundert: Gedenkschriftfiir Giorgio ToneUi. Frankfurt am Main: Peter Lang, 1993. Pp. xiv + ~lZ. NP. Far-reaching both in historical and philosophical scope as well as in the diversity of scholars represented, this volume is a tribute to an important contemporary historian of philosophy, Giorgio Tonelli (1928-1978). A glance through the seventeen-page chronological bibliography confirms the breadth of Tonelli's historical interests, ranging over work on Albrecht von Hailer, Heine, and Maupertuis as well as his wellknown works on Kant and earlier figures of the Enlightenment. The editors point out in their brief introduction that Tonelli's work was important as an antidote to an earlier tendency in Kant scholarship to read Kant through the lenses of German idealism, rather than focusing on the Kantian corpus in the context of earlier traditions and philosophical achievements. "Sein Jahrhundert" includes essays that encompass the whole of the eighteenth century, as well as important seventeenth-century influences. The volume is quite 692 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER ~995 appropriately international and multilinguai, reflecting Tonelli's own background and widespread influence. The essays are for the most part clearly written, well-informed and carefully argued interpretations of important Enlightenment figures that aim to refocus our attention on neglected or misinterpreted aspects of these philosophers' views. What follows will give interested readers a brief overview of the contents. In "Corsi, Ricorsi and the Way Out of Modern Barbarism in Vico's New Science," Craig Walton offers an interesting 'third way' of reading Vico's notions of"course" and "recourse" that parallels Tonelli's approach to Kant. Walton argues against anachronistic idealist interpretations of corsi/ricorsi as cyclic or recurrence concepts, and also against ahistorical readings of these notions as aesthetic or ironic. Rather, for Vico, the "storia ideale eterna'" is to be understood as purposeful but open-ended, and this can only be fully appreciated if the notion of ricorso is interpreted as the possibility of human response to the course of human history. Ezequiel de Olaso's "Spinoza et l'Espagne ~clair6e...