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680 JOURNAL OF THE HISTORY OF PHILOSOPHY 33:4 OCTOBER 1995 cal advance over the criticisms of the Parmenidesas to say how the Theaetetusshould be called an "Eleatic" dialogue. The Sophist then reintroduces form, but in its epistemological aspect alone. Extensive use is made of the method of division, presented in the commentary as a rigorous method for precise definition, yet the Sophistfails to distinguish sophistry from philosophy . Two reasons are given. The final division locates sophistry under the productive, rather than the acquisitive arts. (The commentary indicates no surprise at sophistry being categorized as an art at all.) Moreover, the method of division makes no use of value, the real distinguishing feature of the two types of art, although Dorter argues that allusion is made to value through references to the Republic'stheory of soul. The Statesman fills in the missing feature by introducing measurement against the standard of the mean as opposed to relative measurement, finally reintegrating both features that Dorter considers salient aspects of Platonic forms: universality (sameness) from the Sophistand now value (the mean) in the Statesman. The commentary finds that the use of division in the Statesman, where it is not strictly dichotomous, evidences a "decline from the rigor and precision of the divisions in the Sophist"(l 8 l), despite the rejection of division by strict halving in the Phaedrusand in Aristotle. Lack of rigor is not, however, a reproach in Dorter's mind. This is a theme he first develops in commenting on the Parmenides. The methods of division and hypothesis "converge in the form of the good" (227). But where Plato would give "content to the Idea of the good, he eschews any formal methodology whatever, and resorts to the ambiguous world of myth" (242). Ultimately, on this view, assertions about the forms, and responses to many of the Parmenides' criticisms rest on analogy (3off.). Since analogy is identified with a breakdown of"rigor, analogy implies not a theory of proper proportions, but the use of poetic metaphor. The explanatory power of the theory of forms comes up short, which is not a fault of the specific theory of forms, but a fault in the nature of all theory. That rigor must inevitably be.jettisoned is a conclusion taken perhaps too much to heart in a commentary that voices the compelling view that these dialogues are masterpieces in metaphysics. DAVID AMBUEL Mary Washington College David J. Furlr and Alexander Nehemas, editors. Aristotle's "Rhetoric": Philosophical Essays. Proceedings of the Twelfth Symposium Aristotelicum. Princeton, NJ: Princeton University Press, 1994. Pp. xv + 322. Cloth, $45.oo. The Symposium Aristotelicum is a group of Aristotelian scholars who meet every three years, and publish a record of their proceedings. In 199~ they turned their attention to the Rhetoric.This, then, is a series of essays by Aristotelian scholars--more precisely, by scholars of ancient philosophy, since a couple are really specialists on Plato--looking at the Rhetoric. Few are identified as specialists on the Rhetoric itself, and none on the history of rhetoric or on classical oratory. People in those other groups would have very different, but of course not necessarily better, things to say about the Rhetoric. BOOK REVIEWS 68~ Nehemas states the conception of the project in his Introduction: "The essays presented in the 199o symposium and collected here.., address specific texts on the Rhetoric itself, but all of them also connect the Rhetoric with Aristotle's logical, methodological, ethical/political, and poetic views and treatises. A further central concern is, of course, the issue whether Aristotle does or does not respond to Plato's challenge against rhetoric successfully... " (xiii). As I will show, that "of course" is very problematic. The collection is divided into four sections. "The Arguments of Rhetoric" starts with M. F. Burnyeat's "Enthymeme: Aristotle on the Logic of Persuasion," which sets itself the task of determining whether, when Aristotle defines the enthymeme as a sullogismos tis, he means to call rhetorical argument a kind of syliogizing or "a sullogismos of a kind," and along the way offers an account of how Aristotle came later to be read as thinking of the enthymeme as a syllogism with a suppressed premise...

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