Abstract

Without the universalizing political ideologies of the European Left, the Dardenne brothers focus their cinema on creating a sense of touch between audience and the film. Their "haptic" cinema disrupts viewers' subjectivities and gives them a sensuous experience of other worlds, leading to an ever-shifting ethical bricolage.

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Additional Information

ISSN
1931-0234
Print ISSN
0014-0767
Pages
pp. 133-144
Launched on MUSE
2007-10-30
Open Access
No
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