Abstract

Notoriously Aristotelian in his poetic theory, linguistics, and natural philosophy, Julius Caesar Scaliger (1484–1558) also reimagined the lost love poetry that Aristotle himself was said to have written. Scaliger's New Epigrams of 1533 combine a distinctively humanist view of Aristotle as an elegant polymath with a sustained experiment in refashioning the Petrarchan love lyric. Most visibly in poems about dreams and dreaming, Scaliger educes his speaker's erotic despair from philosophical problems in contemporary Aristotelian accounts of the soul, knowledge, and personal identity. The strange but compelling texts that result form a crossroads for Scaliger's own identities as physician, philosopher, and poet.

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