The Sensuous Dimension of Literary Experience: An Alternative to Materialist Theory
Abstract

I argue that three versions of materialist theorizing ironically fail to give adequate accounts of two basic features of literary experience—its ways of being sensuous and its manifestation of particular features of labor that can produce compelling singularity for the reader. Ultimately I reject materialist ontologizing because it is has now no significant other—our basic task is to characterize fully how sensuousness is achieved and put to work for the imagination.


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