Abstract

Carrillo Rowe provides an analysis of Monster's Ball as a cultural narrative of white masculinity's redemption from the atrocities of racism through an interracial love story that erases white masculinity's national history and implication in a racist past while it displaces the black female body from that history and identification with the struggle for reparation. The nexus of sex, race, and desire is used to produce a new whiteness consistent with the emerging national multicultural logics of color blindness by undermining the narrative, memory, identity, and racing of bodies grounding the logic of reparation.

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Additional Information

ISSN
1527-2001
Print ISSN
0887-5367
Pages
pp. 122-142
Launched on MUSE
2007-02-13
Open Access
No
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