Abstract

This article examines how the war correspondent Thomas Goltz negotiates the representation of war and conflict, and the exigencies of his profession as a journalist, through diary. Particularly in Chechnya Diary, the second in his "Caucasus Trilogy," Goltz uses the diary to focus on his profession and to make particular ethical and moral dilemmas visible. For Goltz, diary is a political tool, but the problem is it is also a personal device.

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