Contributors
- Contributors
Brian Michael Norton is a doctoral candidate in comparative literature at New York University. His dissertation is titled “The Art of Life: Ethics, Happiness, and the Philosophical Novel in Eighteenth-Century Britain and France.”
Joseph Fichtelberg’s most recent book is Critical Fictions: Sentiment and the American Market, 1780–1870 (2003). He teaches English at Hofstra University.
Yael Shapira is completing her PhD dissertation on the dead body in eighteenth-century Gothic fiction at The Hebrew University of Jerusalem. This fall she will begin a postdoctoral visiting position at the Center for Eighteenth-Century Studies at Indiana University.
Linda V. Troost, professor and chair of English at Washington and Jefferson College, is founding editor of Eighteenth-Century Women and co-editor of Jane Austen in Hollywood.
Ellen Welch, a PhD candidate in the Program in Comparative Literature and Literary Theory at the University of Pennsylvania, is working on a dissertation entitled “Cosmopolitan Fictions in Seventeenth-Century French Literature.”
M.O. Grenby is reader in children’s literature in the School of English at the University of Newcastle upon Tyne. He is the author of The Anti-Jacobin Novel (2001) and several critical editions of 1790s novels.
Patricia Meyer Spacks, Edgar Shannon Professor of English Emerita at the University of Virginia, is the author of Novel Beginnings: Experiments in Eighteenth-Century English Fiction (2006).
Arnd Bohm teaches in the Department of English at Carleton University.
Anne Milne, assistant professor at McMaster University, publishes on the representations of animals in eighteenth-century British and Canadian texts.
Stéphane Roy, « research associate » au Yale Center for British Art, s’intéresse à la culture et a l’économie de l’image imprimée en France et en Angleterre au XVIIIe siècle.
Katherine Binhammer, associate professor in the Department of English and Film Studies at the University of Alberta, is the co-editor of Women and Literary History: “For There She Was” (2003). She is currently working on a book on the epistemology of seduction narratives.
Ghyslaine Guertin, professeur de philosophie au Collège Édouard-Montpetit et professeur associée à la Faculté de musique de l’Université de Montréal, poursuit des recherces sur l’œuvre de Michel-Paul-Guy de Chabanon (1730–92).
Swann Paradis est candidat au doctorat en études littéraires à l’Université Laval et un membre du Cercle interuniversitaire d’étude sur la République des Lettres (CIERL).
Chris Roulston est professeur de littérature française au XVIIIe siècle et des études des femmes à l’Université de Western Ontario; ses champs de recherches comprennent les études gaies et lesbiennes, et au XVIIIe siècle, Rousseau, la littérature des femmes, l’épistolaire, et les discours sur l’amitié et le mariage.
Juliette Merritt is the author of Beyond Spectacle: Eliza Haywood’s Female Spectators (2004).
Françoise Gevrey est professeur à l’Université de Reims où elle enseigne la littérature française du XVIIIe siècle; ses publications et ses recherches portent essentiellement sur la fiction narrative.
Mary Waldron is a fellow in the Department of Literature, Film, and Theatre Studies at the University of Essex.
Michèle Weil est professeur de littérature française à l’Université Paul-Valéry Montpellier 3.
Cameron Mcfarlane teaches Restoration and eighteenth-century literature and cultural studies at Nipissing University.
