Abstract

The author discusses his computer music composition, Voyager, which employs a computer-driven, interactive "virtual improvising orchestra" that analyzes an improvisor's performance in real time, generating both complex responses to the musician's playing and independent behavior arising from the program's own internal processes. The author contends that notions about the nature and function of music are embedded in the structure of software-based music systems and that interactions with these systems tend to reveal characteristics of the community of thought and culture that produced them. Thus, Voyager is considered as a kind of computer music-making embodying African-American aesthetics and musical practices.

pdf

Additional Information

ISSN
1531-4812
Print ISSN
0961-1215
Pages
pp. 33-39
Launched on MUSE
2000-12-01
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.