Contributors
- Contributors
Estevan Azcona is a doctoral student in ethnomusicology at the University of Texas at Austin. He also contributed the liner notes for the recently released CD Rolas de Aztlán: Songs of the Chicano Movement.
Márcio Bezerra is adjunct professor of piano at Palm Beach Atlantic College in Florida. A native of Recife, Brazil, he received his doctorate from the University of Arizona. As well as writing about contemporary art music, he is active as a performing pianist.
Mark Brill is an assistant professor of music at the University of Dayton. He received his Ph.D. in musicology from the University of California-Davis. His research interests include the cathedral music of Mexico and film music.
Silvia Citro earned her doctoral degree in the department of anthropology at the University of Buenos Aires, where she currently teaches.
Gregory T. Cushman is an assistant professor of history at the University of Kansas. His research interests include global environmental history and Latin America since 1750.
María Gembero Ustárroz is a professor of the history of the arts (music area) at the Universidad de Granada. She has conducted extensive research in the Archivo General de Indias de Sevilla. [End Page 373]
Juan Pablo González is a professor of musicology at the Universidad Católica de Chile. He is also the president of the Latin American branch of the International Association for the Study of Popular Music (IASPM). His most recent book, Historia social de la música popular en Chile. 1890-1950, won the 2004 Casa de las Americas prize.
Ana María Locatelli de Pérgamo is a musicologist and the director of the Instituto de Investigación Musicológica”Carlos Vega” of the Universidad Católica de Argentina. Her books include Historia de la música tribal, oriental, y de las antiguas culturas mediterráneas, and La notación de la música contemporánea, which won the Premio del Fondo Nacional de las Artes (Argentina) in 1971.
Greg Urban is a professor of anthropology at the University of Pennsylvania. His most recent book, Metaculture: How Culture Moves Through the World, is pubished by the University of Minnesota Press.
Bryan Walls is a doctoral student of ethnomusicology at the University of Texas at Austin. His research focuses on the African-derived musics of coastal Venezuela.
Michelle Wibbelsman earned her doctorate in anthropology from the University of Illinois at Urbana-Champaign. Her research interests focus on Ecuadorian indigenous festivals, social change, and identity politics. She is currently a Research Fellow at the University of Texas Teresa Lozano Long Institue of Latin American Studies. [End Page 374]
