-
Slip Knot: A Staged Workshop of a Operatic Work in Progress
- Callaloo
- Johns Hopkins University Press
- Volume 28, Number 3, Summer 2005
- pp. 592-603
- 10.1353/cal.2005.0064
- Article
- Additional Information
- Purchase/rental options available:
Callaloo 28.3 (2005) 592-603
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Slip Knot
A staged workshop of a operatic work-in-progress
T.J. Anderson, composer
Libretto by Yusef Komunyakaa
Adapted and arranged for this production by Rachael Gates, Noel Koran and Rhoda Levine
presented by the Northwestern University School of Music
April 26, 2003
7:30 P.M.
Sigma Alpha Epsilon, Levere Memorial Temple
Northwestern University
Evanston, Illinois [End Page 592]
Cast
Arthur, baritone | a young slave |
Flora, mezzo-soprano | his mother |
Godfrey, bass | a slave owner and Arthur's father |
Edward Clark, baritone | a slave owner |
Theodona, soprano | his wife |
Tambo, tenor | a slave and friend of Arthur |
Berta, soprano | a slave and lover of Arthur |
Samuel, baritone | a white man, jealous of Arthur |
Opechee, mezzo-soprano | a young Mashpee woman, lover of Arthur |
Deborah Metcalfe, soprano | a white woman who accuses Arthur of assaulting her |
Jennison, tenor | a white vigilante |
Isaac Frasier, bass | a notorious Irish thief, in prison |
Irish Boy, tenor | also in prison |
The Bailiff, bass | |
The Chief Justice, tenor | |
The Reverend Maccarty, bass |
Synopsis: Arthur, a slave in Massachusetts, returns home after escaping to sea. To the horror of his mother, Flora, he is sold by Godfrey, his owner and father, to another slave owner, Mr. Clark. As his friends Berta and Tambo talk of freedom, Arthur speaks of his love for Opechee, a woman of the Mashpee. Accused of raping Deborah Metcalfe, a white woman, Arthur is imprisoned and finally confronted at his trial by the Chief Justice of the court. Although he protests that he is not guilty of rape, he is condemned to be hanged and goes to his death defiantly singing of freedom. [End Page 593]
I sailed out of Nantucket
On a sloop with Captain Coffin.
I saw the devil's convoy
On its way to Cape Coast Castle
And old Calabar
Where the salty trade winds
Were the only thing we heard.
Back from the West Indies
Where I swigged cane-cutter's rum.
Following the Ides of March.
Voices of women in the night,
The galley din boiled with fistfights.
Ship Ahoy!
I dreamt you were dead.
I could see the smoke
From your chimney
Drifting down to me.
A fire of leaves.
And almost talked you out of my head.
With friends who saved my skin.
I was with the Mashpees
Among the birch trees.
All their warriors are dust
Among the songs of ghosts
Dreaming of tomahawks
Against muskets.
Divided in my blood,
I still saw the smoke
From your chimney
Drifting down to me
In a fire of leaves.
My property returned.
Your name is God, Mister
And Master.
With Captain Coffin.
With Captain Coffin
I was almost free.
Him in the eye, Sir?
Why do you not see
Each other?
I am still on my sea legs
And can hear the dark swish
Of cane-cutter's rum in the wooden kegs.
Halfway somewhere out there,
I was no longer on earth.
Captain Coffin's sloop
Sailed past the Cape,
And I swear I could see
A pirate's ghost ship
Wedged on a sandbar,
And the sea was bright
With split bags of gold.
I was being born backwards. [End Page 594]
Than you are worth.
All of your thieving
And only God knows what . . .
A woman—
Many other women.
Out of the country,
To the West Indies
Or Carolina.
You said Never.
I could never bid
A day's work out of him.
My son...