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Eighteenth-Century Studies 38.4 (2005) 705-707
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Volume 38
Table of Contents
Articles
V | BERNADETTE FORT Editor's Note |
1 | ANGELA ROSENTHAL Raising Hair |
17 | JOHANNES ENDRES Diderot, Hogarth, and the Aesthetics of Depilation |
39 | SARAH R. COHEN Chardin's Fur: Painting, Materialism, and the Question of Animal Soul |
63 | MALCOLM BAKER "No cap or wig but a thin hair upon it": Hair and the Male Portrait Bust in England around 1750 |
79 | MARGARET K. POWELL AND JOSEPH ROACH Big Hair |
101 | AMELIA RAUSER Hair, Authenticity, and the Self-Made Macaroni |
119 | MARY K. GAYNE Illicit Wigmaking in Eighteenth-Century Paris |
139 | CHRISTIANE HOLM Sentimental Cuts: Eighteenth-Century Mourning Jewelry with Hair |
145 | GILL PERRY Staging Gender and "Hairy Signs": Representing Dorothy Jordan's Curls |
165 | ALDEN CAVANAUGH The Coiffure of Jean-Baptiste Greuze |
183 | DESMOND HOSFORD The Queen's Hair: Marie-Antoinette, Politics, and DNA |
201 | NINA RATTNER GELBART The Blonding of Charlotte Corday |
V | TIMOTHY MORTON AND JULIA SIMON Editors' Note |
227 | DORIS GARRAWAY Race, Reproduction, and Family Romance in Moreau de Saint-Méry's Description . . . de la partie française de l'isle Saint-Domingue |
247 | REBECCA PROBERT The Impact Of The Marriage Act Of 1753: Was It Really 'A Most Cruel Law For The Fair Sex'? [End Page 705] |
263 | MICHAEL WINSTON Medicine, Marriage, and Human Degeneration in the French Enlightenment |
283 | TEDRA OSELL Tatling Women in the Public Sphere: Rhetorical Femininity and the English Essay Periodical |
301 | DAVID ALLAN Opposing Enlightenment: Reverend Charles Peters' Reading of the Natural History of Religion |
399 | JAMES H. JOHNSON Deceit and Sincerity in Early-Modern Venice |
417 | LARRY WOLFF "Depraved Inclinations": Libertines and Children in Casanova's Venice |
441 | MELISSA E. SANCHEZ Libertinism and Romance in Rochester's Poetry |
461 | JENNINE HURL-EAMON The Westminster Impostors: Impersonating Law Enforcement in Early Eighteenth-Century London |
485 | ANNE BETTY WEINSHENKER Idolatry and Sculpture in Ancien Régime France |
509 | DAVID ALVAREZ "Poetical Cash": Joseph Addison, Antiquarianism, and Aesthetic Value |
IV | NOTICE |
557 | PHILIP CONNELL Death and the Author: Westminster Abbey and the Meanings of the Literary Monument |
587 | SARAH PRESCOTT The Cambrian Muse: Welsh Identity and Hanoverian Loyalty in the Poems of Jane Brereton (1685–1740) |
605 | REBECCA TIERNEY-HYNES Shaftesbury's Soliloquy: Authorship and the Psychology of Romance |
623 | BENEDICT LECA An Art Book and its Viewers: The "Recueil Crozat" and the Uses of Reproductive Engraving |
651 | LAUREN CLAY Provincial Actors, the Comédie-Française, and the Business of Performing in Eighteenth-Century France [End Page 706] |
Exhibition Reviews
547 | MICHAEL E. YONAN Dresden meets the Delta |
691 | JEFFREY COLLINS Watteau and the Fête Galante |
Book Reviews
323 | WINTER 2005 |
533 | SPRING 2005 |
681 | SUMMER 2005 |
Books Received
393 | WINTER 2005 |
553 | SPRING 2005 |
697 | SUMMER 2005 |
Abstracts
223 | FALL 2004 |
397 | WINTER 2005 |
555 | SPRING 2005 |
701 | SUMMER 2005 |
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