Abstract

The year 1996 saw the dramatic transformation of the artists' organization Franklin Furnace from a site-based entity to a conveyor of live on-line art. From early experiments in "live" Internet video to public art drawing on wireless technology, the author traces the development of a nascent art practice through its both groundbreaking and idiosyncratic formative years.

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Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 193-200
Launched on MUSE
2005-07-06
Open Access
No
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