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Music and Letters 86.2 (2005) 346-347



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Authors of Articles in this Issue

Helen Deeming's research interests focus on the growth in the number and variety of musical pieces recorded in writing in the twelfth and thirteenth centuries. Her doctoral thesis, recently completed at the University of Cambridge, uncovered an extensive practice of copying music into manuscript miscellanies in this period; she is presently working on an edition of fifty unpublished songs from these sources. She holds a Senior Rouse Ball Research Studentship at Trinity College, Cambridge.
Daniel M. Grimley is a Lecturer in Music at the University of Nottingham. A specialist in Nordic music, he wrote his doctoral dissertation on Carl Nielsen at King's College, Cambridge (1998) and has recently edited books on Sibelius and Elgar. Current projects include a book on Grieg's folksong arrangements.
Stephanie E. Pitts is the author of A Century of Change in Music Education (Ashgate, 2000) and the co-editor of the British Journal of Music Education. She has published widely on music education and the social psychology of music, and has recently completed a second book, Valuing Musical Participation (Ashgate, forthcoming), featuring case studies of performing groups and concert audiences. She is a lecturer in music at the University of Sheffield, where she directs the distance learning MA in Psychology for Musicians.
Alberto Rizzuti earned his Ph.D. from the University of Chicago in 2001 with the dissertation 'Music for a Risorgimento Myth: Joan of Arc 1789-1849', written under the guidance of Philip Gossett. He has served as a Researcher at the University of Udine (1994-2000) and is now active as an Associate Professor at the University of Turin. [End Page 346]
Fiona Walsh received her doctorate from the University of Queensland (Australia). Her dissertation addressed the problem of altered endings in Bartók's music, in the context of historical and contemporary stylistic compositional influences. Her other published research includes a study of Prokofiev's alterations to the finale of his Fifth Piano Sonata.

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