Contributors
Rent from DeepDyve- Contributors
Michaela Schrage-Früh, lecturer in English at the University of Mainz, Germany, is the author of Emerging Identities: Myth, Nation, and Gender in the Poetry of Eavan Boland, Nuala Ni Dhomhnaill, and Medbh McGuckian (WVT, 2004). She has published articles on contemporary Irish women's poetry, drama, and fiction. Her current project is a study of Anglophone country house discourse.
Stephanie Sandler is professor of Slavic languages and literatures at Harvard University. Her recent publications include Commemorating Pushkin: Russia's Myth of a National Poet (Stanford, 2004); two edited collections, Rereading Russian Poetry (Yale, 1999) and Self and Story in Russian History (Cornell, 2000); articles on Russian women's poetry since the 1960s and film adaptations of Pushkin's Little Tragedies; and translations of poems by Elena Shvarts, Nina Iskrenko, and Elena Fanailova. She is writing a book on Russian poetry after 1972 and editing a collection titled "Visual Poetry and Elizaveta Mnatsakanova."
Rolland Murray is assistant professor of English at Brown University. His book Our Living Manhood: Literature, Black Power, and the Limits of Masculine Ideologies is forthcoming in 2006 from the University of Pennsylvania Press. He has published articles on Toni Morrison, gender, and African American fiction. His current project considers how post-identity politics reconfigures African American literature and critical practice.
Jerry A. Varsava is professor of comparative literature and English and associate dean of graduate studies and research at the University of Alberta. He has published extensively on contemporary fiction, including articles on Walter Abish, Italo Calvino, Robert Coover, Thomas Pynchon, John Edgar Wideman, and Tom Wolfe, as well as a book, Contingent Meanings: Postmodern Fiction, Mimesis, and the Reader (Florida State, 1990). He is completing a book manuscript titled "The Dialectics of Self and Other: The Contemporary American Social Novel."
Ankhi Mukherjee is a British Academy research fellow and a fellow and tutor in English at Wadham College, Oxford University. She has published articles on Pat Barker and Salman Rushdie and has completed a book manuscript on representations of histrionic disorder in nineteenth- and twentieth-century English literature. Her current project is a study of plagiarism, translation, and the metamorphosis of the canon.
Priscilla L. Walton, professor of English at Carleton University in Ottawa, Ontario, is the author of Our Cannibals, Ourselves (Illinois, 2004), and co-author of [End Page 158] Border Crossings: Thomas King's Cultural Inversions (Toronto, 2003) and Detective Agency: Women Rewriting the Hard-boiled Tradition (California, 1999). She co-edited Pop Can: Popular Culture in Canada (Prentice-Hall, 1999). Topics of her articles include critical theory, popular culture, and Victorian studies. She is at work on a book manuscript titled "Biotechnological Imaginings: From Science Fiction to Social Fact."
Eric Rothstein is Edgar W. Lacy Professor of English at the University of Wisconsin-Madison. His publications include five books on British literature from 1660 to 1800; Influence and Intertextuality in Literary History (Wisconsin, 1991), co-edited with Jay Clayton; and many articles on aspects of cultural history and on eighteenth- and twentieth-century philosophical topics. [End Page 159]
