Abstract

Through examination of the Zapotec movement in Juchitán, Mexico, the Zapatistas in Chiapas, Pan-Mayan movements in Guatemala, and the Afro-Reggae Cultural Group in Rio de Janeiro, this article will show that social movements are best analyzed through a combined focus on the circuitous historical pathways of their origins and emergence and on the diverse pieces of representation and meaning out of which they are made. This dual focus, in turn, enables us to understand how political actors form, the places where politics occurs, and the resignifications that lie at the heart of political conflict.

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