Abstract

For Chicana/o cultural critics, the border paradigm has defined the boundaries of writing and experience in contemporary Chicana/o autobiography, and has constituted a valuable contribution to American Studies. In fact, the unique voices coming from Chicana/o autobiography are expressed through a network of cultural codes involving liminality and hybridity, the rewriting of borders, and the challenging of boundaries created by mainstream cultures and official truth. Based on this deep relationship of border paradigm, Chicana/o experience, and the writing and representation of that experience, in this article I will discuss the possibility of building an organic and systematic methodology for studying autobiography.

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Additional Information

ISSN
1529-1456
Print ISSN
0162-4962
Pages
pp. 313-338
Launched on MUSE
2004-09-10
Open Access
N
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