In lieu of an abstract, here is a brief excerpt of the content:

  • Color Plates

Color Plate A


Click for larger view
View full resolution
No. 1.

Gilbertto Prado, Desertesejo, 2000. The project is an artistic multi-user virtual environment developed in VRML.

© Gilbertto Prado


Click for larger view
View full resolution
No. 2.

George Legrady, Pockets Full of Memories, DEAF03 screen projection, 2003. (See article by Brigitte Steinheider and George Legrady.)

© George Legrady


Click for larger view
View full resolution
No. 3.

Takuro Osaka, daylight view of Lunar Project: Capture the Moon Light, 18 stainless steel mirrors (1.5 x 1.5 m) on a rice field (50 X 400 m), 2000. Created for the Echigo-Tsumari Art Triennial Niigata. Lunar Project was performed on July 16, 2000, when a long total eclipse of the moon took place.

© Takuro Osaka. Photo © Mareo Tsunemasa

[End Page 303]

Color Plate B


Click for larger view
View full resolution
No. 1.

Karen O'Rourke, A Map Larger Than the Territory, web site splash page. This project aims to create a new spatio-temporal image of urban space by combining real-time geographical information with respondents' subjective experiences and associations.

© Karen O'Rourke


Click for larger view
View full resolution
No. 2.

Andrea Duncan, Twenty-three Pairs, digital print, 144 x 126 cm, from the project humanscape, 2002. Socks are paired with chromosomal pairs and the genetic footprint; these socks not only mimic the chromosomes themselves but also reflect the human lifespan.

© Andrea Duncan


Click for larger view
View full resolution
No. 3.

Diana Domingues, Serpentarium, from Ouroboros, interactive web-art project, 1998, <http://artecno.ucs.br/ouroboros/places/serpentariumorientdividido.html>. The participant's connection with the robot consists of a virtual incorporation into the snake body represented by the robot that lives among real snakes.

© Diana Domingues

[End Page 304]

...

pdf

Additional Information

ISSN
1530-9282
Print ISSN
0024-094X
Pages
pp. 303-304
Launched on MUSE
2004-08-12
Open Access
No
Back To Top

This website uses cookies to ensure you get the best experience on our website. Without cookies your experience may not be seamless.