Contributors
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J. M. Bernstein is University Distinguished Professor of Philosophy at the New School for Social Research. His most recent works include Adorno: Disenchantment and Ethics (2001) and the editing of and introduction to Classic and Romantic German Aesthetics (2003). The essay appearing here is part of a forthcoming book, Against Voluptuous Bodies: Late Modernism and the Idea of Painting.
Howard Caygill is professor of Cultural History at Goldsmiths College, University of London, and the author of Art of Judgement, A Kant Dictionary, Walter Benjamin: The Colour of Experience, and Levinas and the Political.
Peter de Bolla is the author of Art Matters and The Education of the Eye: Painting, Landscape, and Architecture in Eighteenth-Century Britain. He teaches at Cambridge University.
Simon Jarvis is Gorley Putt Senior Lecturer in English Literary History at the University of Cambridge. He is the author of Scholars and Gentlemen (1995) and Adorno (1998) and is currently completing a study of Wordsworth's poetic thinking.
Drew Milne is the Judith E. Wilson Lecturer in Drama and Poetry, University of Cambridge. Recent publications include The Damage: New and Selected Poems (2001), Mars Disarmed (2002), Go Figure (2003). and the anthology Modern Critical Thought: An Anthology of Theorists Writing on Theorists (2003). Further details: <http://drewmilne.tripod.com>
Denise Riley works at the University of East Anglia, Norwich, UK. Her most recent prose book was The Words of Selves: Identification, Solidarity, Irony (2000). [End Page C3]
