This article explores the viability of the tropes of trauma and mourning in Samuel Beckett's Texts for Nothing. Beckett's work decomposes the initial premise of trauma and mourning: the idea of the subject within history. Texts for Nothing places the narrator in a timeless space, a space beyond history. Mourning presupposes a subject within history, a subject able to contain his or her trauma within a narrative, historical, frame. Because Texts for Nothing offers itself as a dismantling of narrative, these thirteen texts function as a critique of mourning and as a critique of the very idea of trauma.